Ring In the New Year with Reading

What are you doing New Year's Eve?  If you said reading, then we are probably soul mates of some sort!  Kristen from Bookworming is hosting a New Year Read-a-thon.  Here are the details:

Starts: 5 pm on Thursday, December 31st
Ends: 10 pm on Sunday, January 3rd

You
can read as little or as much as you want! Also, I'm planning on having
a smaller event called Reading Into the New Year - where us bookworms
can read as it turns midnight! I will be posting the sign up for that
event next. Please partake in either or both!!!

So, to start
off. My goal is to read at least 24 hours. I'm going to see what books
I get through closer to the date and then post about the pile of books
I want to get through. As you're thinking about what books you want to
read, consider the following:

-Shorter books are easier to push through and you may want to include a few of those
-You don't have to read a crazy amount of hours - whatever you can fit in!
-This is a no stress readathon, so if you don't meet your goal - no big.
-Think about any new challenges your starting and what books are on those lists.

Since I'm starting a m/m challenge in January, I'm going to be working on those books.  Right after I finish Practice Makes Perfect by Julie James, that is, which is taking me a ridiculously long time to read (no fault of the book, I've just been very distracted playing with my new toy).  Realistically, I probably won't get much reading in because I'll be working, but I'm going to give it a go and see what happens.


Want to usher in the new year with reading?  There's still time to join!

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Art History Challenge

I knew I forgot something when I vlogged a few weeks ago, and I finally remembered what it was--my art history challenge! I have at last decided on a theme for my own reading (I know, it only took a few months).

Considering that studying art is my profession, a surprisingly small number of art pieces have genuinely moved me. The really sad thing is, I know very little about the aforementioned art works and the artists who created them, beyond the fact that they are the awesome. Hence, I'm going to dedicate the rest of my reading for this challenge to those pieces and artists.

Here's my list:

• The Birth of Venus by Sandro Botticelli
• Mary Magdalene by Donatello
• The Transfiguration by Raphael
  
• St. Peter's Cathedral, Rome

That's not very many, is it? I might throw in the Chapel of the Magi in the Palazzo Medici just because I actually have a book about that on hand that I've been meaning to read.

I'll post more about my experiences seeing the art works in person once I start reading the books.


Have you ever been deeply moved by a work of art?

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Announcing M/M Month!

(Isn't this button awesome? McVane made it for me on twitter!)

In my wrap-up for 2009, I mentioned that I managed to ignore m/m romance all year. But that didn't mean that I wasn't curious. Then Mandi from Smexy Books challenged me to do a m/m month theme, and since I got an ereader (ish--iPod Touch) for Christmas, I decided it was the perfect time to dive into an unfamiliar genre. Or sub-genre, at the very least.

For those of you who don't know, m/m is a subgenre of romance or erotica that focuses on relationships between men. Here is the list of books that I'm planning to read in January (keep in mind that almost this entire list was suggested by Mandi!):

• Tigers and Devils by Sean Kennedy
• The Dickens with Love by Josh Lanyon
• Bound by Deception and Bound to Him by Ava March
• Among the Living by Jordan Castillo Price
• Blood Noir by Jesse Fox
  
• Forbidden Love by Stormy Glenn, HC Brown, Aleksandr Voinov, and Anna O'Neill
• Love & Loyalty and Faith & Fidelity by Tere Michaels
• My Fair Captain by JL Langley

I'm also planning a few special guest posts for the month, as well. If you would like to participate in m/m month this January, let me know!

Have you read any of the books on my list? Am I missing any m/m romances that I absolutely have to read?

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My Year in Reading

"Everything Men Know About Women" by dailyinvention

It's the end of the year, which means it's time to start reflecting on my year in reading.  I guess.  The only problem is, 2009 pretty much sucked on the reading front.

I read very few books, even fewer of which I liked.  I burned out on two of my favorite sub-genres, historical romance and urban fantasy.  But on the plus side, I started book blogging, made a lot of bookish friends, and discovered new books.

So, instead of doing a top-ten list of books, which would only serve to torture me as there were barely three books I loved that much in 2009, I decided to do a montage o' highlights.



Favorite new author:  Meredith Duran

Duran is definitely an author to watch.  I've really enjoyed all her books so far, and Bound By Your Touch is probably my favorite historical romance of 2009.



Favorite new genre:  Manga

OMG, so addictive!  Manga is my new crack.  Seriously, you can't stop reading the stuff; it should come with a warning label.

Favorite challenge:

This is a tie between Jenner's Take a Chance Challenge and Galleysmith's Harry Potter Reading Challenge.  The Take a Chance Challenge was really fun and creative, but I think reading-wise the Harry Potter Challenge has been the most rewarding.



Things I ignored:

Dystopian fiction, m/m romance, e-books, chick lit, and most of my challenges.

Things I didn't ignore (completely):

Angels, The Strangely Beautiful Tale of Miss Percy Parker, YA, erotica, Jane Austen adaptations



Jumped the shark:

Christina Dodd.  The books she published this year that I read (Danger in a Red Dress, Storm of Visions) were pretty all-around horrible.  It's like she's not even trying anymore.

Subcategory--Authors who are going to get one more shot:  Gaelen Foley.  My Wicked Marquis was simply a train wreck.

Chunksters:

Despite my loathing of overly long books, I managed to read Johnathan Strange and Mr. Norrell, Drood, and The Lost Symbol.

Things I wish I'd read more of:

I read hardly any sci-fi/fantasy this year, I don't know why.  Usually that's my second-favorite genre after romance.



Biggest surprise (in a good way):

Water for Elephants, which I read as part of A Buckeyegirl Reads' bookclub (when are we going to read another book for that, btw, Colette?).  I was pretty sure this book was either going to be horribly boring and/or depressing, but it was absolutely brilliant.  I also read The Guernsey Literary and Potato Peel Pie Society for Colette's book club, and that was really good, too.



Hmm, now that I've broken it down, it doesn't seem like my reading year was that horrible after all.  What were the highlights of your year in books?

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The Polar Express

Today I'm guest-posting at Drea's blog, Book Blather. I'll be reviewing the warmiest, fuzziest children's Christmas book ever, The Polar Express by Chris van Allsburg*.

So stop by and check it out!


*I made the van lowercase just for Bookalicious

TSS--The Vlog Edition

I decided to play with my new camera and do a vlog for this week's Sunday Salon. It sounded so easy! Just talk into the camera, post the video, and voila! A post.

Well, I think the vlog was actually more trouble than it was worth. It took FOREVER and it isn't that great. Seriously, feel free not to watch it. But for what it's worth, here it is:

Here's what I talked about:

• What I read this week.
• Twilight
• The presents I got for the Book Blogger Holiday Swap

So there you have it. Hope everyone has a great Sunday!

Reading by Type

Image courtesy of JasonRogersFotographie

For a long time, I've noticed that there are certain types of heroines in romances.  For example, the bookish, shy girl who doesn't get out much.

Now that I'm on a bit of a YA reading bender, I'm noticing something similar: the heroines are either super-smart honor society types or dissatisfied emo chicks.  Either of which are good bets as readers.  Or they're just readers in general, like Bella in Twilight or Ethan in Beautiful Creatures.

So what I've always wondered is, are these heroes/heroines typified as readers specifically with the goal of us, the audience, identifying with them?

Another thing I've noticed about heroes or heroines:  they are very rarely fully social personalities.  They may participate in social activities, but they always hold themselves apart somehow.  Elizabeth Bennet, for example, made fun of practically everyone and only had one real friend, although she was pretty sociable (also, she improved her mind through the reading of books).  And a whole slew of them are downright anti-social.

This presents a trickier issue than just having a character read.  Although reading is mostly a personal activity that one basically does by oneself (I'm thinking of reading aloud as the exception), so is writing.  Are authors trying to connect main characters to readers or to themselves?

My main question, though, is if it matters.  Would you be able to connect to a character who didn't read or who couldn't be alone for five minutes?  Or is a certain amount of literacy and self-reflection necessary as part of the nature of a novel and how we, as readers, connect to it?

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The History of the West Wing

The History of the West Wing by Jiayu Sun and Guo Guo*

Source:  The library ordered this at my request.  They're my book bitches.

This very short graphic novel retells an epic tale that originated in 9th-century China.  How does an epic tale fit into 100-odd pages of graphic novel, you ask?  Well, the answer is, not very well.  But the artwork is kick-ass.

In Tang-dynasty China, some guy with long hair wanders into a Buddhist temple.  He has no job, but that's okay with him, since he'd rather do nothing anyway.  Sounds like a winner!  Pretty soon he hears about a beautiful girl who also lives at the temple.  He happens to see her and decides to contrive a meeting.  The girl, Pianpian, foolishly agrees to it and before you know it she's in lurv.  Then it turns out she's engaged to some evol secretary person, and a rogue general decides he wants her, and one begins to wonder if she and the lazy guy will ever get together.

I first heard about this book from Nymeth at Color Online.  Nymeth definitely liked it more than I did; she thought the romance worked, while I don't think it worked at all.  My biggest problem with it was that I didn't understand the motivation of the characters.  Why does Yuqing pursue Pianpian?  Is it because she's pretty, or because the other guys kind of dare him to do it?  And why does Pianpian agree to go out to meet him?  That's a pretty risky move on her part.  Is she reckless, naïve, hopelessly romantic, or just thinks Yuqing is really cute?

Basically, this story is edited down to near-incomprehensibility and I definitely can't recommend it as a gripping read.  I do, however, agree with Nymeth a hundred percent that the artwork is absolutely luscious and transports you to Tang-dynasty China.  It's so alive I could hear the characters laughing and talking as I read, and the rustle of the wind and the rushing of water.  Here are a few examples to whet your appetite:

Miangyu, Yuqing's old sweetheart.

Pianpian, sleeping the sleep of the innocent.

So while I can't recommend The History of the West Wing for the story, I definitely do for the art.  And at 100-ish pages, picking your way through the narrative is completely worth it to look at Guo Guo's full-color illustrations for a few hours.

*This is an Amazon Associates link.  If you click on it, you will wind up like Pianpian, in love with a lazy man.  Sadness.

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Going Too Far

Going Too Far by Jennifer Echols

Source: hooray library!

I straight-up loved this book.  It was a quick, un-put-downable read that had great characters and was smart, sexy, and sweet as heck.

Meg is a blue-haired rebellious teenager who doesn't fit into her small town well at all.  She's just trying to survive until high school graduation so she can escape.  One night, after getting drunk and stoned with her loser boy toy, she goes onto a bridge that's famous for killing two high school sweethearts back in the day.  Unfortunately, she, boy toy, and her two friends are busted by the police for trespassing.  Ensue drama and teen angst.  As punishment, Meg must spend a week riding night partol with Officer John After, the cop who arrested her.

Despite the fact that Office After (what a weird name) is obviously a rookie because he's a liiiittle overzealous with the law-enforcing, for some reason Meg thinks he's in his forties.  She pretty much hates him until she discovers two intriguing facts:  one, John After took sophmore Spanish with her; and two, he is seriously built.  Never underestimate the power of the six-pack abs!  Once she sees him with his shirt off, she's pretty much a goner. 

I've been seeing Going Too Far around the webbernets for quite a while now, but I resisted reading it, mainly because of the cover.  I hate the cover.  Maybe it's the obviously-photoshopped eyebrow piercing, or that it looks like he might be wiping his nose on her hair, but it really turns me off.  Also, I'm not a fan of books where both main characters have Serious Issues They Need to Work Through, especially when persented in a short, pop-y format.  However, when I read Katiebabs' review of the book, I was intrigued by the 19-year-old cop hero.  Y'all know how I love my cop heroes.  Throw in some opposites-attract action and I decided to give the novel a try.

I'm so glad I did!  The Major Issues were perfectly balanced out by Meg's snarky, sarcastic humor and John's Dudley Do-Right attitude.  Despite the fact that Meg is exactly the type of person I would have stayed far, far away from in high school, I ended up really liking both her and John.  The secondary characters, especially John's friend, Will, and Meg's friend, Tiffany, were also fun as complete goody-two-shoes.

Even though there are no sex scenes, this novel is very sexy.  At one point Meg and John share a handshake that sent tingles down my spine--who ever thought a handshake could be sexy??  And John, despite being nineteen, is hawt.  He has brains and creativity, and there's no doubt that he uses both when it comes to sex. 

I thought the ending, which resolves both Meg's and John's Major Issues--and believe me, these two are totally psycho--in thirty pages, was a little ridiculous.  But it was okay; I wanted them to get together and have a happy ending, and they did.  In fact, Going Too Far delivered completely as a romantic novel, and I closed the book smiling and with the warm fuzzies.  I definitely recommend this book!

Other opinions:
Babbling About Books, and More!
Teen Book Review
Nocturnal Reviews
Lurv A La Mode
The Story Siren
Violet Crush
Smart Bitches, Trashy Books
The Booksmugglers
Did I miss yours?  Please let me know in the comments if I did!

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The Mixology Challenge!

Haha, did I say I was going to stop joining challenges?

The Mixology Challenge seems really great, though, because it's basically about setting goals for yourself for 2010.  Here are the rules:

1. List how many books total you want to read in 2010.
2. List no less than 4 categories for these books and determine how many you'll read in each category. Examples of categories:  by class: fiction / non-fiction / contemporary / classic / newly published / award winning (Booker, Pulitzer); by genre: historical fiction, religious fiction, fantasy, sci-fi, dystopian literatur, memoir, biography, personal or professional growth; by class of author: female / male / Asian / Middle Eastern; other: TBR / review (ARC) books
3. These books can overlap with other challenges AND even fit more than one category within this challenge.
4. Audio books do count; re-reads do not.

Sorry, but re-reads are going to be part of my goals.

Here's my list:

1. 60 books total
2. 20 romances
3. 5 re-reads
4. 3 chunksters (over 600 pages)
5. 10 mysteries
6. 5 sci-fi/fantasy
7. 5 classics
8. 2 new manga series

These are pretty modest goals, but since I haven't been reading much more than a book a week lately, I better not set the bar too high.

What books do you want to read in 2010?

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Violence=Good?

It seems like lately TV shows (especially sci-fi shows--or maybe that's all I watch) are promoting the idea that violence is good, when used against the proper foe. Or at the very least that non-violence isn't necessarily a good thing.

The most obvious example I can think of is the show V. Here, visitors from another planet are coming in peace. Of course, they're actually lizards and will probably want to start eating humans at some point, but only a handful of people realize that on the show. Everyone else is copacetic with the aliens visiting earth (rather unrealistic, in my opinion) and wants to peacefully accept them. The point of the show seems to be:

1. People who preach peace and non-violence are not to be trusted, and
2. A non-military response to outside threats is a bad idea.

Hmmmm. I do really enjoy this show, but I wonder about the subtext sometimes.



Another TV show I noticed this on was Alice on Syfy (why didn't they spell it Alyc?). The Queen of Hearts lives in a casino and feeds off the emotions of the real-world people whom she kidnaps and forces to gamble. Gah, what a plot. In any case, the Queen only wants happy, pleasing emotions--other emotions like violence, fear, etc., are verböten. So what does Alice do to make the Queen's kingdom crumble? If you answered shoot up the casino and threaten everyone's lives until they snap out of it, then you probably watched the show.

Thus, the theme to Alice seems to be that negative emotions are actually good; and doing things like firing randomly into a crowd is really not that bad of an idea. In the end, the violence in Alice seemed to have only positive consequences, and rebellion to overthrow the Queen (for no reason I can see, to be honest) is heroicized.


Do you agree that violence is being presented in a more positive light on TV these days, or am I just a psycho? Wait, maybe don't answer that last part.

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TSS-Challenge Update

There have been several great posts related to my Art History Challenge this week, and I just had to share them with y'all! 

• Colette at A Buckeye Girl Reads read two books about women artists and watched a documentary about Georgia O'Keeffe!  Although she didn't like either of the books or the documentary very much, she did find two new artists she liked:  Lilian Martin Spencer and Rolanda Sharples.
• M from Alberti's Window read Vasari's Lives (officially titled Lives of the Most Excellent Painters, Sculptors, and Architects), all about the wacky artists he knew while living in Renaissance Italy.  M wrote a great post about the women artists Vasari mentioned, and a review of the book itself.

I also decided to join yet another challenge, the Take Another Chance Challenge created & hosted by Jenners at Find Your Next Book Here.  Even though I didn't finish it, I enjoyed the Take a Chance Challenge so much I can't resist adding this one to my 2010 challenges.  I'm going to go for the Gambling it All Level and try to complete all 12 challenges--because that's how I roll.

I think I'm about tapped out in the challenge department at the moment, however, so I don't expect to be signing up for any more for a few months--no matter how tempting. ;)

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The Book Purge

Image courtesy of macinate

Ever since Angel Month concluded, I've been feeling at loose ends about what to read.  Despite the fact that I spent at least 2 of the four weeks whining about how sick I was of angels, without them I couldn't manage to focus on a single book.  I spent most of the entire week starting and quickly tossing various books, such as:


Captive of Sin by Anna Campbell

At first this was a fun book because it takes place in winter, and it was very wintry outside.  I also thought (and still think) Gideon and Akash are both interesting characters.  But the rest of it was just so clichéed, I couldn't stand it.  What's wrong with me?  I usually eat this stuff up, clichéed or not.


Gateway by Sharon Shinn

Shinn is unquestionably a great writer, and wrote one of my favorite books of all time, Archangel.  I hadn't tried out her YA novels yet before Gateway, though; and I'm not likely to again.  The concept was interesting--modern St. Louis teen is transported to China (seriously, China has got to be the hot new thing these days. Move over, Japan)--but the beginning was so incredibly slow and, again, clichéed.


The Little Book by Selden Edwards

Okay, I haven't officially given up on this book yet, but it's getting close.  I picked this one up at the library because it purported to be a time-travel novel about Nineteenth-Century Vienna.  Awesomesauce (The Illusionist, The Illusionist, The Illusionist).  The beginning started off really well, but it quickly became meandery due to the fact that we're given loads of unnecessary backstory about everyone.  I'm wondering if it's worth continuing--I would like to think so, but the main character is too wacky to be believable.


Harry Potter & The Goblet of Fire by JK Rowling

The only book that I've been able to stick is HP & The Goblet of Fire.  I freaking love this book!  I started off on audiobook, but had to switch to actual reading because my attention wanders too easily when I'm "listening."  Damn attention!  To repeat:  what's wrong with me?

Which leads me to...

the book purge.

Around the time of Gateway, I started feeling a bit despair-ish and decided my problem was my TBR pile.  Yes, my TBR pile!  Now, we all love having books to read, but there comes a point when the unread books start stressing me out.  And that point is when I can no longer sit in my favorite reading spot, the two-foot space between my bed and bookshelf, which was literally crammed with books.  I couldn't even step in that area anymore, let alone sit!  So I did a book purge, taking out all of the historical romances and urban fantasies I'd collected, except for the ones I still actively wanted to read, and donating them to the library. 

You may gasp with horror, but I have to say I do feel a lot better now.  Sure, this whole thing may have been a transfer of frustration for three books I couldn't finish onto my entire stack of unread books, but at least I can read in my itty-bitty reading nook now.  The two-foot space has become a one and a half-foot space due to the fact that there's still books piled next to my bed, but that's okay.  It's kind of like sitting in a miniature library.

Hopefully, the book purge will take care of this urge I have to READ EVERYTHING very quickly, and I can settle into a book again after I finish HP&tGoF.



How's your reading going this week?

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Guest Post Plus Giveaway!!

Today, mystery writer Lucha Corpi is visiting to tell us about the heroine of her latest book, Death At Solstice. Here is the summary of the book from Amazon:

Chicana detective Gloria Damasco has a ''dark gift,'' an extrasensory prescience that underscores her investigations and compels her to solve numerous cases. This time, the recurring vision haunting her dreams contains two pairs of dark eyes watching her in the night, a phantom horse and rider, and the voice of a woman pleading for help. But most disquieting of all is Gloria's sensation of being trapped underwater, unable to free herself, unable to breathe.
When Gloria is asked to help the owners of the Oro Blanco winery in California's Shenandoah Valley, she finds herself on the road to the legendary Gold Country. And she can't help but wonder if the ever-more persistent visions might foreshadow this new case that involves the theft of a family heirloom, a pair of antique diamond and emerald earrings rumored to have belonged to Mexico's Empress Carlota.

Soon Gloria learns that there s more to the case than stolen jewelry. Mysterious accidents, threatening anonymous notes, the disappearance of a woman believed to be a saint, and a ghost horse thought to have belonged to notorious bandit Joaquin Murrieta are some of the pieces Gloria struggles to fit together. A woman's gruesome murder and the discovery of a group of young women from Mexico being held against their will in an abandoned house send Gloria on a fateful journey to a Witches' Sabbath to find the final pieces of the puzzle before someone else is killed.

Corpi weaves the rich cultural history of California's Gold Country with a suspenseful mystery in this latest installment in the Gloria Damasco Mystery series.

Lucha is a poet, novelist, and children's book author. Her art has always meant activism. As a woman, a Hispanic, an immigrant and a mother, she has always found herself breaking down barriers in both life and literature. In 1970, she received a National Endowment for the Arts Creative Writing Fellowship for poems later included in Palabras de mediodia / Noon Words (Fuego de Aztlán Publications, 1980; bilingual edition Arte Público Press, 2001). Her first collection of poems appeared in Fireflight: Three Latin American Poets (Oyes, 1976), and a third poetry collection followed: Variaciones sobre una tempestad / Variations on a Storm (Third Woman Press, 1990). In 1990, Corpi was twice honored: she was awarded a Creative Arts Fellowship in fiction by the City of Oakland, and she was named poet laureate at Indian University Northwest. She was a tenured teacher in the Oakland Public Schools Neighborhood Centers Program for over 30 years.

Lucha is kind enough to describe how Gloria Demasco's psychic abilities came about. BUT, before you read any of the post, go to Book-lover Carol to read part one!

Gloria Demasco, Private Investigator & Clairvoyant
Part II

In time, I learned from Gloria that she had a dark gift, a psychic power, whatever that meant, because she wouldn’t tell me anything else about her dark powers. Was she a kind of fortuneteller? Palm reader, perhaps? Maybe a sorceress, a witch. Was she a New Age or Old Age psychic? There was so much to research. And I dove into the psychic pool head first.

I began to attend psychic fairs, séances, mid-summer and mid-winter solstice celebrations, Sabbaths, had my fortune read countless times, my aura cleansed at least twice, had regressions to at least four past lives, attempted astral projections but my spirit could never manage to stay air-bound long enough to soar freely. Every time I attempted it I remembered the wild windsock specter and plummeted straight to the ground, opening my eyes just before I hit the ground.

At every séance, Sabbath, solstice celebration and psychic encounter, I asked for a receipt. At home, I put all of the receipts in a Mexican basket together with the rest of my tax receipts and documents. I had to justify my research expenses. And they were legitimate research tax deductions for a writer, or so I thought until the IRS decided to audit my 1990 tax return two years after the facts. By that time, Eulogy had been published. The two tax auditors chuckled when I handed them each a copy of the book as proof that indeed my delving into the mantic arts was a legitimate endeavor for a writer who respected her art and wanted to be factual. Two weeks later, I was summoned back to their office, given back the books they had indeed read and loved but couldn’t keep. Their keeping the copies of my novel could be misconstrued as bribery, and they could lose their jobs. I owed the IRS nothing.

Long before my dive into the IRS audit, I had already found out, as I wrote the novel, that Gloria Damasco was a clairvoyant. In each of the novels, she tries to explain to herself and to the rest of us what her dark gift is all about. In Death at Solstice, her latest adventure, she says:

… Prior to the night before, I had never been able to save anyone whose life, in my visions, was fated to end. It bothered me no end to see what fatal blow destiny had in store for someone yet be unable to prevent it. But that was the nature of this dark gift, this extrasensory prescience in me—la otra.

Most people did not understand what clairvoyance was. My visions weren’t a tidied bunch of related scenes laid out, like a classic story, in a linear narrative. They varied from images to smells and sounds that bombarded my dreams. My subconscious somehow sorted them out and stored them until, if ever, I worked on a related case.

Talking with some of my poet friends over the years, I realized that poets, without being aware of it, also went through a similar process as mine. All the incongruent elements of a poem were already present at various levels of consciousness or the subconscious. In the poet’s case, the outcome was the poem. In mine, the results were not so easily discernible, not even for me.

Although at times I still doubted the legitimacy of my dark gift, I seldom allowed myself not to act on a vision. I pushed myself to do the necessary legwork to solve its cryptic warnings, regardless of its outcome. It was the only way to keep my twin psyches in check, my split spirit in harmony.

Gloria’s reason is forever running interference. She is always trying to prove to herself that she indeed possesses a dark gift. She is compelled by her visions to take a case, but she solves it by following and analyzing clues, using her powers of deduction, as any normal P.I. would, to bring the criminal to justice.

I do my share of legwork too, by doing my research so she has everything she needs to solve the case ready at a moment’s notice.

That is my job.

I am Lucha Corpi, Gloria Damasco’s writer.


Giveaway!

The publisher is offering one copy of Death At Solstice for a lucky reader. To enter, just comment on this post. Make sure you enter a valid e-mail address with your comment, as that's how I will be notifying the winner. The winner will be chosen via a random number generator, and the contest will close at midnight, December 15th.

ETA: The publisher needs to send the books out by Monday, so I will have to close the contest on December 11th at 6 PM, mountain time. I apologize for the error.

In addition, Lucha Corpi is offering her entire mystery series to one lucky reader who comments on all of her blog posts in this book tour. Here is the list of Lucha's stops:

Nov 30 Richard Unloaded Questions about writing

Dec 1 Mayra Calvani Latino Book Examiner When did she begin writing

Dec 2 Terri Behind Brown Eyes What is her inspiration

Dec 3 Lara Rios Julia Amante Author's thoughts on her previous books

Dec 4 Ana The Sol Within Indept and soul-searching answers

Dec 7 Misa Chasing Heroes Author's seeking Heroes

Dec 8 Monie Reading With Monie What are her writing achievements

Dec 9 Carol Book-lover Carol Part One: How Series came to be

Dec 10 Tasha Heidenkind's Hideaway Part Two: How Series came to be

Dec 11 Nilki Musings Author writes on her theories of writing

Angel Month Wrap-Up

Angels really are everywhere these days, as I discovered during my month-long angel reading blitz.  I read four books:

• Covet
• The Fallen
• Hush, Hush
• Angels' Blood

I thought reading four books might force me to read a fifth in order to break a tie, but it didn't happen--angels are not the new vampires.  Go back to your lives, citizens.

During the course of reading these novels, I think I've discovered angel books are already developing their own tropes.  One of the major ones is the angel being a total jerk, but the woman unable to resist his attraction.  You know that movie Angel and the Badman?  Well, in most of these books the angel is the badman.  In fact, I don't think any of these books has an angel that is completely good, and most of them are outright bad.  Is it because good=boring?  Or is it symbolic of how corrupted humanity is?

Overall, I enjoyed Angel Month.  But I think I'm going to be avoiding any more angel books for a while--I'm totally burned out on them at this point.

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Angel's Blood

Angels' Blood by Nalini Singh

This urban fantasy/romance is a cornucopia of popular supernatural creatures, with vampires, vampire hunters, angels, and even zombies--yes, my friends, zombies! It does a good job of setting up a new series, although I can't say entirely liked it. Or rather, I liked a part of it and hated another part.

Elena is a vampire hunter extraordinaire. She and her colleagues chase down runaway vampires for angels, who Make vampires in return for 100 years of servitude. When vamps try to jump their parole, Elena tracks them, tags 'em, and carts them back to the hoosegow, much like a female version of Dog the Bounty Hunter.

Then the Archangel of New York City, Raphael, requests her services. He wants Elena to lead him to another archangel, Uram, who's gone a wee bit on the wrong side of bat-shit insane. Despite the ginormous amount of money he's paying her, Elena isn't really happy about this because 1. archangels are scary; and 2. she's certain either Raphael or Uram will kill her before the job's over. But you can't say no to the Godfather Archangel, especially when he's all sexy-like.

The beginning of Angels' Blood kind of pissed me off. Admittedly, Hush, Hush used up all of the little patience I have for the jerk-angel-and-the-woman-who-is-inexplicably-attracted-to-him trope; but even more annoying was Elena denying she was attracted to Raphael, even though it was obvious that she was. (Note to rom heroines: just because you're attracted to someone does not mean you have to bang them. I'm just throwing that idea out there.) One of the reasons why I hate that sort of thing in romance novels is that reinforces the idea that when women say no--which Elena did plenty of in the first half of this book--they really mean yes--which she really did. And that is bull.

Around the halfway-point, both stalker Raphael and trigger-happy Elena (seriously, I don't think this woman should be issued firearms) reallllly started to annoy me. However, at that point in the book the relationship shifted to become more equal, and I began to enjoy it a lot more. Of course, Raphael has no personality, and I have no idea why he's even attracted to Elena beyond the point that she's fiesty, but at least he was no longer a total douche. Plus, the hunt for Uram FINALLY got underway (yes, halfway through the book), so the story became much more exciting.

In fact, Angels' Blood improved exponentially in the second half, to the point that I actually truly liked it by the end. I think it does a great job of setting up the next book in the series, which I'm definitely looking forward to reading. So although I had plenty of problems with it, it did end up being a satisfying book.

And now for the twenty-dollar question:

<----Actual picture of Uram?

Angels--iz they the new vampires?

I'm going have to go with a draw on this one.

On one hand:

• The angels in this book have wings. That's always a plus--pretty wings, too.
• These angels have some pretty cool powers. My favorite was angel dust. If you try it, you'll like it. They can also create zombies and vampires, throw fireballs, and manipulate human minds.

On the other hand:

• I'm still not entirely clear on how the angel world works in this book. They're the rulers of the earth, okay--but how exactly do they rule? Is it governmental, do they own a bunch of real estate, what? There were definitely some gaps in the world building.
  
• For most of the book, the angels didn't seem angelic to me. They're just basically vampires with wings. As I kept reading, I got more used to it, but one expects angels to be counterpoints to vampires and not really one-and-the-same. Plus, if they're mostly cool because they're like vampires, have angels really replaced vamps as the new supernatural creature of the moment? No, not really.
  

Final score: vampires, 2 1/2; angels 1 1/2

Which means vampires win!!!!!! Yeah!



Other opinions:

Literary Escapism
Loves Vampires
Angieville
Babbling About Books, and More
Dear Author
Musings of a Bibliophile
Royal Reviews
The Book Smugglers
Tracy’s Place
Urban Fantasy Land
Scooper Speaks
Lurv A La Mode
Stacy's Place On Earth
Did I miss yours? Please let me know in the comments!

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Last Angelic Links

I haz been derelict in putting up my angelic links lately.  Since Angel Month is wrapping up quicker than you can spit (so to speak), I better get on the ball.

• KMont at Lurv A La Mode has a great post on the appeal of supernatural creatures.  Although it's mostly about vampires, she does touch upon how angels in YA books all seem to be creepy jerks.  It's definitely given me something to think about for my concluding post.
• Just in case you didn't know, angels are STILL the new thing in publishing.  It's nice that I'm staying current.
  
• Aimee from My Fluttering Heart has a new challenge called Horns and Halos, where you can read all the angel or demon books you want!  Check it out (I also really like her challenge buttons).
• The Story Siren reviews Evidence of Angels by Suza Scalora and Francesca Lia Block.  Not sure what it's about, but it has a brilliant cover.
• as i was saying tackles Twilight and Hush, Hush in a head-to-head comparison.  It's not exactly a deeply probing review, but I found it interesting that it says both Edward and Patch wanted to kill the heroines in the books.  Sorry, but I do not find Patch's and Edward's actions comparable at all--Patch plotted to murder Nora for his own benefit; Edward was afraid he was going to kill Bella in a fit of vampiric hunger beyond his control, so he ran off into the forest.  Which one would you rather deal with?

Remember, kids, when you click on a link, an angel gets its wings.

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Angel Appeal

What is the appeal of the angel in modern fiction?  Is it the same as for other paranormal heroes like vampires and werewolves?  Are angels, as themselves, attractive at all, or do they need to be modified into more visceral creatures to be sexy?

Like vampires, angels are usually immortal, with amazing powers.  Unlike vampires, however, their traditional mythos has them as helpers to humanity--or, more specifically, as messengers.  In fact, the very word angel means messenger.  Although angels are figures in Christian, Judaic, and Islamic (re: monotheistic) religions, they originated in Sumerian, Babylonian, and Ancient Egyptian culture.  Good angels serve as liasons between god[s] and humanity; fallen angels try to misdirect humans.  Because angels can go between worlds, they seem to be equal part spirit and flesh--beings of light and "man of god."  Exactly how much they mingle with humans is up for debate, but they don't feed off humanity like vampires do.

Vampires are children of the earth--hungry for both sex and power, they have no ability to move on, to ascend.  With vampires, immortality does sound like a drag.  They represent what humanity most fears that it truly is.

Angels, on the other hand, are the ideal, icons of what humanity can be.  Or at least that's their traditional symbolism.

The problem with "angels being the new vampires" is that, instead of providing a counterpoint to vampires, they seem to be becoming vampires.  Hungry for power and sex, their existence is rarely connected to a higher power; and they're at the very least conflicted and hardly ever good.  What does this say about our current culture?  Do we love bad boys so much we can't work up an interest in anything else?  Or is hope and spirituality so fantastical it seems safer to adapt angels to a familiar vampiric narrative?

With these "new" angels comes new tropes that have already infiltrated genre fiction--but more about that when I write my concluding post to Angel Month!

What do you think is the appeal of angels in fiction?  Can they really replace vampires?

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Hush, Hush

Hush, Hush by Becca Fitzpatrick*

After reading all the reviews for this book, I was almost scared to open it up.  Let me be completely up-front about it:  every criticism you read about Hush, Hush is totally valid.  This is not a romance.  Patch is an unattractive jerk.  The heroine's actions sometimes don't make any sense, and the plot is pretty weak.  That being said, though, I enjoyed the pure silliness of it and pretty much lawled my way through the entire book.

Nora Grey is a tightly wound, goal-oriented high school student who may or may not remind me of myself at that age.  One day her biology teacher decides to make everyone switch seats.  Instead of partnering with her bestie, Vee, she's put next to Patch Cipriano.  Nora senses he's dangerous--oh, so dangerous--but somehow fails to detect the fact that he's also a jerk.  She's attracted to him and she just can't help it!  Then weird things start happening to her and she blames them all on Patch.

This is not a terribly well-plotted book, although of all the Twilight wannabes I've read (Need, Ruined--stay away from YA books with one-word titles, kids!), this is the best.  It all hinges on the question of what Patch is--of course, one can guess he's a fallen angel based just on the cover.  But why?  And what does he want with Nora?  My desire to find out is what kept me reading the book, even though Nora's wishy-washy protestations of being unattracted to Patch started to become repetitive and the book dragged in the middle.  The ending was absolutely ridiculous and I do NOT believe Patch is in love with Nora.

I could go on with other holes in the plot and characterizations, but I'm not going to.  Because, despite everything that's wrong with Hush, Hush, I honestly enjoyed it.  Of course, my expectations were pretty low--but there was something very entertaining about watching Patch push all of Nora's buttons and drive her to distraction.  I also thought Nora's various adventures were funny, and for the most part I loved Vee.  This is not an angsty, romantic novel at all--it's a farce.  And I had a really good time reading it.

And now let's get to the throw-down:



Angels--are they the new vampires?

Hahaha!  PLEASE.  No.  Edward Cullen could kick Patch's ass.

First of all:  Patch?  That name sounds like one of those silly aliases Shaun makes up for Gus on Psych.  I cannot take any guy seriously who is named Patch.

Secondly:  Is Patch trying to attract or repel Nora?  Because if it's the former, he's going about it in the most roundabout and nonsensical way imaginable (note to any males who might stumble upon this book:  this is not the way to get girls to go out with you.  DO NOT EMULATE if you want to have sex at any point in the near future).  If I was her, I would have punched him in the face at least twenty times before the first half of the book was up.  But then I don't have her problem where I'm entranced by rock-hard abs (okay, I lie--I actually do have that problem, but I resist it!  Usually).  If I had to describe what Patch looks like in my head, I'd say middle-aged used car salesman.  A sweaty one, with a wide girth, a lot of gold jewelry, and hairy knuckles.

Thirdly:  As an angel, Patch and the other winged ones in this book are just lame.  Their major powers are that they're immortal, they can make humans see anything they want them to, and they can talk to people in their heads.  Exactly how this helps angels, fallen or otherwise, do whatever it is they're supposed to be doing on earth, I don't know.  The mythology of these angels is pretty unclear--there are Grigori and Nephilim, just like in The Fallen; but there are also archangels, guardian angels, angels of death, and fallen angels (or maybe fallen angels are Grigori).  What exactly is the hierarchy of angels?  What are their jobs?  What powers do they have, and what are their limitations?  What sort of god controls the angels, if there even is a god?  I cannot tell you any of this stuff, because it's not discussed in the book.  They're just angels who influence people for their own reasons!

Oh, and these angels don't have wings.  Or they do, but they can't be seen.  To which I say... WTF???  No wings? Why don't you just have vampires without fangs, or samurai with swords?

The angels in Hush, Hush are basically the most unimpressive angels I've encountered so far in my scientific study.  At least the angels in Covet were either amusing or hawt; these angels don't even have that going for them.

Score so far:  vampires, 2; angels, 1

Next up in my über-scientific study:  Angel's Blood by Nalini Singh

Other Opinions:
Babbling About Books, And More! (KB posed a very good question in her review:  why is this book titled titled Hush, Hush?  There is nothing to connect it to the story at all.  Well, I think I've found the answer--it was inspired by Til Tuesday's Voices Carry!)
Lurv A La Mode
Lost In Books
Galleysmith
Books and Movies
J. Kaye's Book Blog
The Book Zombie
A Novel Menagerie
Book-a-rama
Fyrefly's Book Blog
Violet Crush
My Two Blessings
The Story Siren
Wordsmithonia
These are just the reviews that I remember coming across in my reader!  There are literally pages upon pages of them that you can read at The Book Blogs Search Engine.

*This is an Amazon Associates link.  Patch will lick your face if you click on it.

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Harry Potter and the Review of Unnecessarily In-Depth Analysis

Harry Potter and the Prisoner of Azkaban by JK Rowling*

Source:  My little brother for the book; the library for the audiobook (I alternated between the two).

I've had issues with Harry Potter and the Prisoner of Azkaban ever since I first read it.  I know it is some people's (coughsandycough) favorite Harry Potter book, but I didn't like it.  Unfortunately, I wasn't blogging when I first read it, so for the life of me I can't remember why.  I mean, two of the smexiest men in the entire series, Sirius Black and Severus Snape, have major roles in this one; and then there's Lupin, who is just lovable like a little puppy.  The storytelling brilliant; and despite the fact that this isn't the middle book, it is book upon which the entire series seems to hinge.  So why didn't I like it?  And would a reread change my mind?

By the third Harry Potter book, the formula for the series has already been established:  Harry goes to Hogwarts and Voldemort finds some sneaky way to attack him; but in the end Harry escapes and Voldy is defeated.  Yet Prisoner doesn't follow this formula at all.  Of all the books, this is the only one where Voldemort isn't a direct threat.  Furthermore, Harry doesn't defeat or conquer anything in this book--we expect him to, and we certainly want him to, but in the end he only does what he can.  And that isn't enough to stop Voldy from gaining power and becoming a major pain in everyone's rear end.  In fact, one could argue it's because of Harry that Voldemort can return to his physical form (although we don't know that until the later books).

So that was one source of my discontent:  my expectations were unmet.  I never really felt Harry was in much danger from Sirius, and there wasn't a big smack-down scene at the end.  But I think my reaction to Prisoner went a little deeper than that due to the two themes running through the novel.

The first is that nothing is as it seems.  That's not unique to Prisoner, of course--how could you even have a wizarding world where things were just as they appeared, after all?--but I think it runs the strongest through Prisoner out of the seven books.  It all starts when Harry goes to Hogwarts, expecting a safe haven, but instead finds it riddled with Dementors.  Enemies turn out to be friends, friends to out to be enemies; the all-powerful Snape turns out to be nothing more than a bitter nerd; and Harry gets the first hint that his parents, his father in particular, might not have been what he imagines.  There were so many change-ups and fake-outs in this book that it made me wonder if anything can be trusted in these books.  The wizarding world is no longer a comforting--if occasionally hazardous, but always quaint--place to be anymore.

Then there's the issue of time.  I didn't even realize this could be considered a theme of the book until I reread it, because we don't know about Hermione's secret until the very end.  But it's definitely spread out through the entire novel--Lupin, Sirius, Peter Pettigrew, and Snape all have the past coming back to haunt them; the "threat" to Harry is one based entirely upon the past as opposed to anything that's happened in the present; and because of the Dementors, Harry relives something he experienced but can't even remember!  The frustrating thing is, even though Harry and Hermione can go back in time, they still can't seem to change the past, even if said past needs to be righted--they can't restore Sirius' good name or give him his life back.  I supposed even in the wizarding world there is an expiration date on do-overs.

I must take a moment to gush about how much I love Harry.  I've mentioned this before, but the majority of heroes are so white-bread--I know this is because they need to be an "every man" type, but as a result they have no personality.  Harry, on the other hand, does appeal to practically everyone, but has his own complete personality.  There are times that I really bleed for him (metaphorically speaking, of course) in these books, but most especially in this one.  Can you imagine listening to your parents be killed over and over?  And the scene where Harry chases the Dementors off of Sirius and himself and then realizes that he's his dad, makes me cry every time.  Like, I'm seriously getting teary-eyed right now thinking about it.  So obviously it's time to move on.

After rereading Harry Potter and the Prisoner of Azkaban, I still can't say it's my favorite Harry Potter.  But neither can I remember exactly what I disliked about on the first reading, either.  This is the book where everything changes--when you suddenly realize this isn't just a series of children's books, and there's a whole mess of stuff going on in this world that you don't know about.  Yet.  In other words, this book is deep, man.


Random things I find suspicious:

Dumbledore:  A secret--I usually find Dumbledore suspicious.  Maybe it connects to my Santa aversion because of his long, white beard, but there's a moment in every single Harry Potter book where I become convinced he's colluding with Voldemort.  In this book, I have to wonder how exactly Dumbledore knew Harry and Hermione should turn back time to save Buckbeak and Sirius.  It's like he knew what was happening before it even happened--while it was happening!  HOW DID HE KNOW????  And why did he expressly tell Harry not to interfere with the whole losing-of-Peter-Pettigrew debacle, hmmmmmmmm?

Crookshanks:  The cat can freaking READ.  That is not right.  That cat has got to be more than cat, I'm telling you.



I read this book as part of The Harry Potter Reading Challenge hosted by GalleySmith, which is turning out to be the greatest challenge OF MY LIFE. 


I'm curious... how many people out there consider Prisoner of Azkaban their favorite Harry Potter?

*The bad news: this is an Amazon Associates link.  The good news: well, there is no good news.

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Soulless

Soulless by Gail Carriger*

Source:  Once again, the library.

Soulless is an urban fantasy novel with a steampunk twist.  And yes, it is as cool as it sounds.

The place is Victorian London, and our noble heroine, Alexia Tarabotti, is settling in at a ball.  However, she's not in the ballroom, she's in the library, where she's ordered tea be brought to her.  She's about to enjoy her lovely repast when a very rude vampire comes into the room and attacks her!  Fortunately for Alexia, she's a preternatural--which means any supernatural creature she touches immediately loses all said powers.  Thus Alexia finds it ridiculously easy to stake the poorly-dressed vampire.

This incident spawns a flurry of activity around Alexia.  Her nemesis, the head of BUR (can't remember what that stands for at the moment, but it's an agency of supernaturals that polices supernaturals), and the Alpha of the London werewolf pack, Lord Maccon, quickly arrives and the two start squabbling.  It's obvious Lord Maccon harbors a deep-seated attraction for Alexia, which Alexia never notices because she believes herself to be completely unattractive and a spinster for life.  Beyond that, there's also the question of the vampire--where did he come from?  New vampires aren't made every day, and when they are they have to be registered with the BUR.  Yet this one wasn't registered.  Also, why was he so poorly dressed and what on earth was the butler thinking to let him into the ball?

As I mentioned earlier, this is a very cool, new twist on urban fantasy.  I absolutely loved the world Gail Carriger created with Soulless, blending legends about vampires, werewolves, and other supernatural creatures with history in a very clever way.  And I love, love, loved the cthulhu shout-out (a secret:  octopuses are my favorite animals).  Yet the book didn't sustain my interest all the way through, mainly due to two things:  Alexia, and the point of view.

Alexia believes herself to be unattractive because her very shallow mother and half-sisters have told her so for as long as she can remember (they are absolutely loathesome characters, btw).  Yet Alexia herself judges people based on their appearance all the freaking time.  Criticizing the vampire for his shirt was just the first in a long line of such correlations drawn between dress and character.  When people are described in this book, there is much attention paid to their attire, whether or not it is appropriate for the time of day and activity, whether it is of good quality, and then the observations move on to their manners and social standing.  I know this is supposed to be Victorian Britain, but give me a break!  I don't know if Alexia ever judges anyone based on behavior rather than appearance--perhaps Professor Lupin Lyall, Maccon's beta (because he's nice to her), and Mr. MacDougall at the very end of the novel, but that's about it.  Plus, I found it incredibly hypocritical of Alexia to call her mother and sisters shallow, when in fact she's just as shallow as they are; she's just more passive-aggressive about it. 

The center of any urban fantasy novel is the kick-ass heroine (or hero, although they tend to be more of the bumbling variety--i.e., Harry Dresden).  Alexia is not kick-ass.  She behaves with decorum and propriety in almost every situation, and expects others to do the same.  The exception is her meetings with Lord Maccon, which take a very unproper turn from the start.  Yet even in these encounters, Alexia seemed fairly passive.  I would have adored it if Alexia finally grew a spine at some point in the book, but character development doth not exist here.  Even after she's been kidnapped and knows she's going to die, she obeys her kidnappers and basically cooperates with them.  It's a good thing Lord Maccon was around, or she'd be soulless toast at the end.

That brings me to the point of view.  Lord Maccon is a great character, but I didn't need to know what he was thinking in this novel--it was obvious enough without it being spelled out for me.  Slowly.  Nor did I need to know what Lyall, Mr. MacDougall, Ivy, or the dozens of other secondary characters in this book were thinking.  Not only was the switch from one character's viewpoint to another's choppy and unclear, it ruined any and all suspense that might have been derived from the story.  We know Maccon is attracted to Alexia, so her not seeing it was simply tiresome.  Similarly, I solved the mystery of the poorly-dressed vampire before half of the book was finished.  Quite frankly, there is nothing in this book that is not absolutely obvious--no hidden agendas, no twists, no secrets.  Even the bad guys are perfectly up-front about what they're doing.  If Carriger took on the Victorian obsession with appearances and politeness, why couldn't she have adopted their literary habit of implying the darkest of things without ever saying them?  Like Alexia herself, this book seemed very shallow.

There were parts of Soulless that I definitely enjoyed (basically all the scenes with Lord Maccon), but there weren't enough of them for me to like the whole book.  I can see why others people liked it--it's definitely likable--but the lack of story telling and characterization beyond clothing put me off, and the hipness quotient wasn't enough to make up for it. 

Will I read the second book it the series?  Maybe.  The world and characters still have potential--but I definitely won't be approaching it with high expectations.



Other opinions:
Babbling About Books, And More!
Monkey Bear Reviews
Book Smugglers (probably the only people who dislike this book as much as I do, aside from Kay at Infinite Shelf)
Booklust
Loves Vampires
Dear Author
E. M. Reads
Angieville
I know a lot of other people have reviewed this book--did I forget to include yours?  If so, please let me know in the comments!

*This is NOT an Amazon Associates link.  It will take you to the author's website, from whence you can find many links to buy the book.

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TSS-Too Much of a Good Thing

November is drawing to a close, which means my Angel Month is as well (although since I started it a week into November, I might extend it a week into December--I do have to admit I'm getting mighty sick of angel books, though).  So far I've read two angel-related books:

• Covet by JR Ward
• The Fallen by Tom Sniegoski

This week I took a break from the winged ones to read something completely different, and managed to finish two books in one week!  That's double the number of books I usually finish.  Said books were:

• Harry Potter and the Prisoner of Azkaban (re-read)
• Soulless by Gail Carriger

Reviews for both are pending.  Just to warn y'all... I didn't love Soulless.  I don't want you skipping over here all excited to read the review and being disappointed, okay?


I hope everyone had a lovely Thanksgiving (if you live in the US, of course).  I took Thanksgiving off from the interwebz, and I have to admit, it was nice to spend a day completely away from the computer.  So I've decided from now on I'm going to be offline for a whole day every week.  I haven't decided which day yet--I'll probably change it up depending on my mood.  But I think that one day off from blogging gave me a much-needed recharge, as well as the time to finish two books; and to tell the truth, I've been feeling the need to do a mini-break for awhile now.  So there you have it.


In the next week, I'm planning to read Hush, Hush by Becca Fitzpatrick and Angel Time by Anne Rice.  If I manage to finish both of those before the end of the week (which isn't likely, but I might abandon either book), I'll tackle Angel Blood by Nalini Singh. 

And never read another angel book again.  The end.

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Collision

As if I wasn't paranoid enough about getting into a car accident, Collision did a good job of convincing me that every single person on the road except for me is FREAKING INSANE and not to be trusted.

Collision, which aired on Masterpiece Contemporary the last two weeks, takes us into the fascinating world of... a traffic accident. Yeah, I didn't exactly find the premise gripping, either. But Ruth from Booktalk & More assured me that it was really good (check out her review), so I decided to give it a run on the ol' DVR. And, as usual, she was right!

Okay, so here's the run-down: a bunch of cars are in this huge pile up on the A-something-or-other, which I'm guessing is like the British version of an interstate. And every single person in this crash has something suspicious going on in their lives, and half of the people are murdered! It might even be a higher percentage than that. And yummy yummy Douglas Henshall (oh, Cutter, I missed you so {{{hugs}}}) has to sort through all this crap to find out what caused the accident, and meanwhile his ex-luvah is in charge, and his boss keeps going, "Why haven't you solved this thing yet??? You only have one more day!"

Usually the multiple-storylines-thing annoys me, but somehow Collision managed to completely suck me into all the characters' lives. I think the pacing of the revelations about their lives had a lot to do with it--the idea that all of these people have progressively bigger secrets is patently ridiculous, but I loved learning about them, and was completely willing to suspend any disbelief.

I'm not going to go through all the characters' storylines, but I do want to recount my favorite, which involved a young woman named Jane Tarrant. Jane works at the gas station, but longs for bigger and better things. Yet how can she break out of her rut? After the crash, a rich old guy (well, older) comes into the gas stop and starts crushing on Jane. Then he asks her out for a drink, and btw he's married, and oh haha Jane's actually engaged to some bloke who wants to get married in a pub (uhg). But why don't you go to this art exhibition with me, baby? Wellll, let's just say, he's rich and he loves art. *fans self* Of course, it's Kandinsky, but hey, I can put up with that. And so, apparently, can Jane, who agrees to go to Paris with him, breaks up with her fiance, and quits her job. But will Richy Richard leave his wife for a gas station employee? Oh please oh please say yes, because that would be totally cool.

Um, anyway. Aside from that guy, the other men in this show are NOT SMOOTH. Henshall trying to get back together with his ex-luvahrrrr was totally awkward. Despite that, though, I highly recommend this show. And I believe you can still watch it online at PBS.com.

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Angelic Songs

Hi.  I'm lazy.  So instead of writing an actual blog today, I'm going to present you instead with a bunch of angel songs.

Did I miss one of your favorite angel songs?

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A Colorful Challenge

Rebecca from Lost In Books is hosting her second-annual Colorful Reading Challenge in 2010.  The challenge is to read nine books with nine different colors in the title.  I think this is such a great challenge because it lets you be creative with what books you pick and lets you read what you want.  I already have a few books on hand that will work for the challenge:

• Silver Falls by Anne Stuart
• The Rose Labyrinth by Titania Hardie
• Green Mansions by WH Hudson
• Metallic Love by Tanith Lee (metallic is a color, right?)
• Zadayi Red by Caleb Fox

I'll come up with other books later.

What books with colors in the title do you have on your bookshelf?

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More Angelic Links

Naturally, as soon as I posted my last angelic links post, I found more links!  So here are more links to tickle your angel fancy:

• Want another chance to win Fallen by Lauren Kate?  You can enter at Pure Imagination.  The giveaway ends November 25th.
• I can't review every angel-related book for my project, but here are two great reviews of books I wish I could/did read:  The Vinter's Luck by Elizabeth Knox at Stella Matutina, and A Madness of Angels (Or, the Resurrection of Matthew Swift) by Kate Griffin (Griffin! coincidence?) at Once Upon a Bookshelf
• Who else besides me is cashing in on the whole vampires-are-the-new-angels thing?  Self-described horror writer Lia Scott Price, who has a new series out called The Serial Killer and Vampire Guardian Angel (TM) Diaries.  My big question:  but is there a dog?
• Finally, do you have a burning itch to write your own angelic tale?  QueeredFiction has an open call for submissions for "An urban contemporary fantasy anthology featuring queer angels of all shades and hues."  GLBT angels?  Considering angels are asexual, I don't know about this... but hey, at least they won't all be white guys right?  One can only hope.

That's all your links for this week!  Hopefully I'll be back next week with more angel book reviews--especially since the month is almost over.

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The Fallen

The Fallen by Thomas E. Sniegoski*

Source: Once again, I borrowed it from my mom.

This is a short, entertaining YA full of action and battle scenes, with a little romance thrown in.  It's not the greatest book ever, but it is a satisfying read, and I definitely want to read the next book in the series.

When Aaron Corbet goes to sleep as a seventeen-year-old, his life is pretty decent:  despite being an orphan, he's been adopted by a family who loves him; he does well in school, has a car, and works in a veterinary clinic.  Even before he wakes up on his eighteenth birthday, however, things are starting to unravel--he has a terrible dream about an ancient village being attacked.  He gets a blistering headache, then suddenly he can understand Portuguese!  The hottest girl in school smiles at him (well, that's actually a good point).  What is going on???  Then a crazy old guy in the park tells Aaron that he's a nephilim, a child of a human and an angel.  Good points: wings and superpowers!  Bad point: nephilim are considered unnatural beings and angels are determined to kill him.

I can't really say anything more about the plot, since that's basically it.  Young boy is unexpectedly thrust into the Other World, danger ensues.  The first 100 or so pages are pretty rough, mainly because the writing has moments of pedantry and TMI that drove me crazy.  For example:

He signed in with a password that he had obtained from the library his first year of high school, and called up a search engine that he used often when researching information for school papaers.  The screen appeared and, choosing one of the varied spellings, he typed in the mystery word.  He hit the Enter key and held his breath.

Oookay, good to know.  Wouldn't want him just firing up a computer without a valid password!  There were also times when I found myself thinking, "Hm, someone's using a thesaurus."  So Sniegosky is no JK Rowling--but even though the writing style occasionally bothered me, I can see where might not bother younger readers (who are really the audience for this book), so I can't fault Sniegosky for it.

As I said, though, the first half of the book was a little rough, story-telling wise.  I felt completely lost as to where the author was going was the narrative.  But then... the angels arrived.  Which brings us to the big question:



Are angels the new vampires?

Still no... but they are pretty kick-ass.

The title of The Fallen refers to a group of angels called the Grigori who had their wings removed for fraternizing too closely with humans.  But by the end of the book, I couldn't help but wonder if the Grigori were the only angels who were fallen--as a rule, the angels in this book are not the kind, fluffy angels that you find on greeting cards.  They're warriors who kill both humans and each other indiscriminately with their flaming swords of fire.  They have doubts and wonder if they're truly following God's purpose; and they're no better at talking to Him than humans are. 

Make no mistake, though--they are definitely not human.  In fact, they show some marked similarities to vampires:

They were deathly pale, almost luminescent in their whiteness, and their features were perfectly symmetrical--too perfect.  Aaron felt as though he were looking at mannequins come to life.

They sound like the Cullens! 

In another parallel to vampires, they treat humans like animals, literally calling them monkeys, and capturing and keeping some for use as servants.  Even these humans are treated like dogs, or worse, and disposed of quickly when they outlive their usefulness.

In other words, the angels in this book, even the "good guy" angels, are hard-core gangsters.  Once they show up, things get pretty intense and the book becomes nearly unputdownable.

I also like the fact that Sniegoski ties the angels to a god, and a heaven, although it's not necessarily a Christian view of either--it's clear that angels in fact have only the vaguest idea of what human religion is and how it works.  But there is a God (I'm going to assume only one) and a heaven and hell, and the angels consider themselves to be in the service of Him.  I actually really appreciated the religious elements in this novel, because come on--they're angels.  You're going to have an entire book about angels and avoid talking about God?  Someone already tried that; it didn't work out well.

So, while I wouldn't call angels the new vampires at this point, I did absolutely love them in this book.  They were fascinating and mesmerizing and dangerous and exciting.  I definitely want to see what they get up to in the next book.

Score: vampires 1, angels 1

Strange similarities to Covet:

• In The Fallen, Aaron is very close to his dog, who is preternaturally smart.  And of course we had Dog from Covet.  So... why the dogs in all these angel books?  Are dogs angels?  Do all good dogs go to heaven?  Are they harbingers of angel-caused doom?  Do I need to keep an eye out?
  
• In both The Fallen and Covet, all the angels are male.  ALL OF THEM.  Now, if I remember my catechism studies correctly (and I believe I do), angels are actually asexual.  So I guess male is the default sex.  Because, yeah, who would want to be a woman anyway, right? *eyeroll*  I'm going to also go out on a limb and say they're all white.
  

Other opinions:
None that I could find.  Have you reviewed this book?  Let me know in the comments!

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